マーチングパーカッション教則本「Rudimental Map(ルーディメンタル・マップ)」発売のお知らせ
マーチングパーカッションの基本を詳しく解説した教則本。
マップとともに攻略していく楽しさに出会える1冊。
現在、指導者として活躍中で、過去アメリカで行われたDCI I&E(ソロパフォーマンス大会)では2年連続スネアドラム世界一を獲得、世界的にも著名なマーチング・アーティスト、春田界渡氏の著作によるマーチングパーカッションの教則本、 Rudimental Map(ルーディメンタル・マップ)を発売いたします。この機会にぜひともご入手ください!
品 名:Rudimental Map(ルーディメンタル・マップ)
品 番:PMA-RM/KH
著 者:春田 界渡(マーチング・アーティスト)
価 格:¥3,300 (税込価格) ¥3,000(本体価格)
JAN :4549312120908
発売日 2024年6月 3日(月)
~著者まえがき~
良いドラマーとは、良いアーティストであり、良い人間であること。本書では、あえて"上手さ"に焦点をおいて、ルーディメンタルドラミングの基本をできる限り具体的に、そして深く解説しています。
これからもっと上を目指して上達したい人、まさに今何かの壁のぶつかっている人、ドラムラインを引っ張っていくために知識をまとめたい人など、さまざまな人に向けてこのルーディメンタルマップを制作しました。自分自身のマップをこれから書き足していくつもりで、攻略する楽しさを見出しながら、読み進めていただきたい一冊です。
Rudimental Map(ルーディメンタル・マップ)
A4版 / 124ページ
目次
Chapter 1 Technique / テクニック
Chapter 1-1 Rebound / リバウンド
〉身体の連動
〉指
〉手首
〉腕
〉レガート
〉マルカート
Chapter 1-2 Accent / アクセント
〉ダウンストローク
〉アップストローク
〉〉グラッドストーン
〉〉モーラー
Chapter 1-3 Multiple-Bounce / マルチブル バウンス
〉ディドル
〉サポート
〉〉プッシュ&プル
〉〉プッシュ&プッシュ
Chapter 2 Abillity / アビリティ
Chapter 2-1 Tempo / テンポ感
〉判別力
〉キープ力
Chapter 2-2 Rhythm / リズム感
〉分割力
〉休符感
Chapter 2-3 Phrase / フレーズ感
〉M Lead / C Lead
Chapter 2-4 Ensemble / アンサンブル力
〉シンクロ系
〉ハーモニー系
Chapter 2-5 Listening / リスニング力
〉判別力
〉速聴力
Chapter3 Review / まとめ
~著者プロフィール~
春田 界渡
1992年生まれ、横浜出身。
2012年 夏 Blue Devils B に入団。I&E Open Class Snare 個人部門にて初出場で優勝。
2013年 夏 Blue Devils に入団。I&E World Class Snare 個人部門にて石川直氏以来17年ぶりの日本人として優勝。
2014年 冬 Riverside Community College Winter Percussion に入団。
同年夏、再びBlue Devils にて活動。マーチングバンドとしてDCI 史上最高得点で優勝。
また、I&E World Class Snare 個人部門にて日本人初となる2連続優勝を果たす。
2015年 冬 再びRiverside Community College Winter Percussion にて活動。WGI史上最高得点で優勝。
2015年4月から関東を拠点にレッスンやパフォーマンス、レコーディングなどを行っており、後進の育成にも精力的に取り組んでいる。
2024年 自身初の教則本「Rudimental Map(ルーディメンタル・マップ)」をリリース。
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ご注文、お問合せはお近くのパール製品取り扱い楽器店まで。
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With e/MERGE, you can freely change the tone quality, and the musical quality of the live has improved. --- SHINYA SHINYA Special Drum Seminar held at ESP Entertainment Tokyo Main Building B1 Hall on Sunday, November 27th. It became a fulfilling content to know the innovation of e/MERGE of its looks, function, and the sound. There were talks about unreleased new e/MERGE products with the Pearl's development staff, a real voice of live sound engineers, and SHINYA playing along with LUNA SEA's songs. Now, we are introducing some of the details of the seminar. -The first impression of playing e/MERGE- “It’s been already a couple years since after when I first played the e/MERGE. I was so surprised about its amazing quality. It reflected out my expression properly which was the sound I wanted to play on the snare drum, toms, and even a bass drum with soft and loud touches. That is why I thought the e/MEGRE might bring the sound better than the acoustic drums through the speakers. 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SHINYA also said, "If the drums doesn't sound a solid sound which becomes a bass of sound, the PA can't create a sound. e/MERGE contains that sound." “I was very surprised when I heard from Mr. SHINYA that he was going to play the electronic drums on the live performance at the time." He also said, "As I was selecting the sounds, I realized the original tones of e/MERGE were really excellent. It has loaded other sounds very quickly, and very easy to customize to match the parts of the songs. So, everything went well smoothly." Mr. Komatsu, who is one of the great engineers in Japan, said. SHINYA said, “as a matter of fact, I did the sound check at the stadium the day before the live performance. During the time, I heard the full sound of e/MERGE from the big speakers in the stadium for the first time. All the sound of cymbals, bass drums, snare drum, and toms were crystal clear, well-defined, and each drums sounds individually. 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