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福島あつさん<第13回スネアモックオーディション>のお知らせです。
福島あつさん<第13回スネアモックオーディション>/2020年1月20日(月)のお知らせです。
打楽器奏者でパールコンサートパーカッションの頼もしいアドバイザー、福島あつさんによるスネアドラムモックオーディション開催のお知らせです!
日時:2020年1月20日(月)18時半〜21時頃(途中入退可)
会場:フィリアホールリハーサル室
(横浜市青葉区民文化センター フィリアホール内)
〒227-0062 神奈川県横浜市青葉区青葉台2丁目1−1 青葉台東急スクエア South-1本館
http://www.philiahall.com/html/access/index.html
参加費:2000円 聴講費:1000円
審査員: 平尾信幸(神奈川フィルハーモニー管弦楽団 打楽器奏者)、福島あつ
・参加ご希望の方は福島あつさんの公式ホームページのCONTACTよりご連絡をお願いします。
https://www.atsufukushima.com/contact
課題曲:
・管弦楽の為の協奏曲(バルトーク) 2楽章冒頭から9小節目まで
・キージ中尉 1楽章1から12小節目まで
・ピーターと狼 49から15小節目まで
・シェヘラザード 3楽章D〜G 4楽章P〜U
・スペイン奇想曲 4楽章冒頭から25小節目まで
・泥棒かささぎ 冒頭〜11小節目まで
当日の会場の使用楽器には、パール・フィルハーモニックメイプル”PHM1450″が用意されているとのことです。
皆さまこの機会に奮ってご参加ください!!
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Electronic drums have been evolving in a daily basis. Its completeness has no difference between the acoustic drums. But in other hand, electronic drum’s usage in the live performance is very low surprisingly. The number of usages significantly differs as the size of the stage gets larger. At this point, the electronic drums are surely positioned at the “sub” of the acoustic drums. The bands which have succeeded in Japan aren’t so many. The Japanese band “LUNA SEA” is one of the succeeded bands in Japan, and its drummer SHINYA has done a live performance in front of over 30,000 audience. The interesting fact about this live is that he used “electronic drums” throughout a whole stage. 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